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Later this week Jewish families all over the world will sit down at the seder table and, guided by the text of the Haggadah, recapitulate in a highly ornate and ritualized form the Israelite redemption from oppression in Egypt. The text of the Haggadah itself is fascinating, not only because of its sources and composition and what it emphasizes and how, but also because it references itself. There are discussions of previous seders within the seder. It is a document that structures a holiday designed to help us remember. Memory and the presence of the past is the great theme of the Haggadah, and it is the great theme of Dara Horn’s new graphic novel for middle-grade readers, One Little Goat.

Dara Horn is the author not only of One Little Goat but also of Eternal Life, A Guide for the Perplexed, and three over novels, as well as her celebrated volume of reporting and essays, People Love Dead Jews. This week, she joins the podcast to discuss this theme—the inescapability of the past, the formative nature of the past, the obligations imposed on us as memory-bearing creatures and as a memory-shaped people—and why it is woven into all of her work, including her most recent book.

Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

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Dara Horn on Her New Graphic Novel

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